Tag: joan of arc

  • Charles VII: King of France and The Hundred Years’ War

    Charles VII: King of France and The Hundred Years’ War

    Charles VII (1403-1461), known as “the Victorious”, was a king of France from the Valois dynasty. His reign, which lasted nearly forty years (1422-1461), is inseparable from the end of the Hundred Years’ War. It covers one of the richest periods of events in French history and could also be seen as a time when the Capetian dynasty appeared on the brink of disappearing. The epic of Joan of Arc allowed the “King of Bourges” to regain his throne and legitimacy, initiating the reconquest of his kingdom from the English.

    Having become Charles VII the Victorious, he would long remain in the shadow of the glory of the Maid of Orléans. This once-overlooked sovereign, now rehabilitated, restored the authority of the monarchy in France, reforming and modernizing finances and the military.

    Charles VII: The “Little King of Bourges”

    The son of Charles VI the Mad and Isabeau of Bavaria, Charles became dauphin in 1417 after the suspicious deaths of his two elder brothers. He appeared frail and ill-equipped to bear the heavy responsibility of restoring the name and prestige of a faltering monarchy. Expelled from Paris during the struggle between the Armagnacs and the Burgundians, he took refuge in Bourges, where he maintained a small court with his last loyal followers. Meanwhile, the King of England seized Normandy, and John the Fearless, Duke of Burgundy, took control of the government by allying with his mother, Isabeau of Bavaria, who had declared Charles a “bastard.”

    John the Fearless attempted to secure an alliance with the dauphin to control him. However, their meeting at Montereau degenerated into an altercation, and John the Fearless was killed. The vengeance of the new Duke of Burgundy, Philip the Good, and Isabeau of Bavaria fell upon Charles. He was disinherited in favor of the King of England, Henry V, through the Treaty of Troyes (1420), signed by Isabeau and Charles VI, who was no longer in full possession of his faculties.

    Henry V claimed the crown of France while preserving its institutions. Isabeau of Bavaria resisted in vain. The premature death of Henry V on August 31, 1422, followed by the death of Charles VI on October 21, did nothing to change the dual Lancastrian monarchy, which passed to Henry VI, with the Duke of Bedford acting as regent. However, the dauphin now claimed the throne as Charles VII, and the war for the crown began.

    Yolande of Aragon and the Victory at La Brossinière

    Charles VII of France
    Charles VII of France. Image: Wikimedia, Public Domains

    Charles, with a rather lackluster character, was poorly surrounded and placed too much blind trust in unreliable advisors who cast no shadow over him, unlike the flamboyant lords of the time. The young Charles found providential support in Yolande of Aragon, the wife of the Duke of Anjou, who happened to be his mother-in-law. Through patient effort, Yolande forged alliances and reconciliations to present a united front against the invader.

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    In 1423, the Battle of La Brossinière marked the first significant victory for the French armies. After a raid led by the Duke of Suffolk, Lord William Pole, across Maine and Anjou, Queen Yolande of Aragon convinced several supporters of her son-in-law, the King of France, to intervene militarily to avenge the damage done. Ambroise de Loré, along with John VIII of Harcourt, Count of Aumale and Mortain, among others, gathered their troops and prepared an ambush on the return path of the English.

    After a brief skirmish between scouts, the French knights charged in battle formation, forcing the English to dismount. Despite solid resistance, the English troops were decimated, and few soldiers escaped French reprisals. This victory marked the starting point for a gradual reconquest of French lands.

    Joan of Arc and Charles the Victorious

    Joan of Arc at the coronation of Charles VII with her white flag
    Joan of Arc at the coronation of Charles VII with her white flag. Image: Wikimedia, Public Domains

    Militarily, the situation remained precarious despite the success at La Brossinière. The English won several victories near Crevant (1423) and Verneuil (1424). Most notably, they laid siege to Orléans. If the city fell, the English would gain access to the south of the Loire and reach Charles in his last refuge. It was at this moment that a young shepherdess from Lorraine, Joan of Arc, intervened providentially.

    Charles regained his legitimacy only after being recognized by Joan of Arc, who liberated Orléans (1429) and had him crowned at Reims on July 17, 1429. Together with Joan, he undertook the reconquest of the kingdom, partly occupied by the English and their Burgundian allies. While they succeeded in reclaiming parts of the regions north of the Loire, Joan of Arc was captured and burned in Rouen (May 30, 1431). Charles VII made little effort to save her, and this is often referred to as a “cowardly abandonment.”

    To detach the Burgundians from the King of England, Charles VII made significant concessions to Duke Philip III the Good of Burgundy in the Treaty of Arras (1435). The Anglo-Burgundian alliance was broken. Paris was reconquered, and the king made a triumphant entry into the city in 1437 but stayed only briefly, preferring his castles in Berry and Touraine. Normandy and then Guyenne (1450-1453) were retaken thanks to remarkable military leaders.

    Rouen rose up and opened its gates to Charles VII, who made a triumphant entry alongside Jacques Cœur (1449). The English retaliated by sending an army, which landed in Cherbourg and marched toward Caen, only to be defeated by the French near Formigny (1450 / Battle of Formigny). In Guyenne, victory at the Battle of Castillon (1453) drove the English out. Soon, the English retained only Calais in France. With the Hundred Years’ War over (although no formal treaty was signed), Charles VII focused on reorganizing his kingdom.

    The Reforms of Charles VII

    He fought against the Écorcheurs (mercenaries who terrorized the countryside) by maintaining permanent troops tasked with restoring security and summoned the Estates General at Orléans. Some lords, unhappy with the progress of royal authority and encouraged by the Dauphin Louis (the future King Louis XI), rebelled. Charles triumphed over these revolts, known as the “Pragueries,” named after the disturbances in Bohemia. Between 1445 and 1448, he established a permanent army, consisting of a cavalry of compagnies d’ordonnance, recruited from the nobility, and an infantry of francs-archers, composed of commoners exempted from the taille tax (hence their name).

    Currency was stabilized, regular taxes were levied, making it unnecessary to convene the Estates General, and France experienced a commercial revival, thanks to Jacques Cœur, the king’s chief financial officer. Charles signed the great ordinance of Saumur in the autumn of 1443, while various measures were taken to stimulate commerce in a country slowed by war. Privileges were granted to the major fairs of Lyon and Champagne, and silk weaving workshops were created. Demonstrating his ingratitude once again, Charles VII sacrificed Jacques Cœur to the jealousy of courtiers in 1453, and the great financier ended his days ruined and exiled.

    Charles also addressed church matters at a national council held in Bourges in 1438. A “pragmatic sanction” gave French churches more autonomy and reduced the tributes that the pope collected on ecclesiastical benefices, such as annates, reserves, and expectations.

    He ordered the various customary laws of the country to be written down, signaling the future unification of legal codes.

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    He created two new parliaments: one in Toulouse (1447) and another in Grenoble (1453). The end of his reign was marked by a commercial resurgence and the strengthening of royal authority. Ultimately, only one threat remained: the power of the Duchy of Burgundy.

    A Favorite and a Rebellious Son

    An innovation with a long-lasting legacy, the reign of Charles VII witnessed the public emergence of a royal mistress in the charming figure of Agnès Sorel. Around 1443, she became the king’s mistress, possibly following the manipulations of Pierre de Brézé, who then held significant sway over royal policy.

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    The king showered her with gifts, making her the lady of Loches, the lady of Beauté-sur-Marne (hence her nickname “Lady of Beauty”), and the countess of Penthièvre. He legitimized the three daughters she bore him in the early years of their relationship.

    Her presence at court overshadowed that of Queen Marie of Anjou, as she enjoyed baring her shoulders and sporting extravagant dresses and hairstyles. She obtained her fashion items from the businessman Jacques Cœur, with whom she likely had an affair. Agnès Sorel exerted significant influence (though often exaggerated) over royal governance, often linked to the influence of the Brézé family.

    King Charles VII married Marie of Anjou, having been raised at the court of Anjou, which explains the influence of Marie’s mother, Yolande of Aragon, on him. The royal couple had twelve children, five of whom survived. Among them was the Dauphin Louis, the future Louis XI. Estranged from his father, Louis troubled the court with his conspiracies, to the point that the king exiled him in 1447. Charles VII never saw his son again before his death in Mehun-sur-Yèvre on July 22, 1461.

  • Joan of Arc: Between History and Legend

    Joan of Arc: Between History and Legend

    Famous for her role in French history, Joan of Arc (1412-1431) was also known as Jeanne d’Arc, Joan the Maid, or the Maid of Orleans. She was a peasant girl from Domremy, Lorraine, who supposedly received divine guidance telling her to save the king from the English and the Burgundians. She convinced King Charles VII to give her an army in 1429 by traveling to Chinon. She helped end the Siege of Orleans with a group of royal warriors and then took Charles VII to be crowned at Reims.

    But the Burgundians seized her and sent her over to the English the next year. On May 30th, 1431, she was put on trial for witchcraft and executed by being burned at the stake in Rouen’s central market. The Catholic Church canonized Joan of Arc as a saint in 1920, after reevaluating the 1456 trial that brought her to prominence. She is a legendary character in French history, inspiring many works of literature and art and serving as the focus of various political comeback campaigns.

    Who was Joan of Arc?

    Joan of Arc

    Since the 1400s, Joan of Arc’s narrative has been the subject of several interpretations and recoveries, resulting in a vast library that dwarfs that of any other renowned figure from the Middle Ages, including Charlemagne and Saint Louis. After a cursory examination of her classical life, the question of how she would be remembered historically appears more intriguing.

    Most historians believe that Joan of Arc was born at Domrémy, a village dependent on Vaucouleurs and so near to the French Empire, on January 6, 1412 (though different dates are also put forth). In 1425, Joan, a member of a family of prosperous farmers, had her first voices. She was told by the saints of Bar, Michael, Catherine, and Margaret, the patron saints of the area, that she must visit the dauphin Charles and aid him in “driving” the English out of France.

    In the letters, Joan emphasized her virginity by referring to herself as “Jeanne la Pucelle” (Joan the Maiden) or simply as “la Pucelle” (the Maiden), and she signed her name “Jehanne.” She gained fame in the 1600s as the “Maid of Orleans.”

    Though there were many prophets and prophetesses active in the time period, Charles VII welcomed her in March 1429. The Duke of Alençon, who had come to believe in Joan’s divine purpose, had the girl undergo both a medical and a theological examination at the suggestion of his advisors. Without a hitch, Joan breezed through both tests. King Louis listened to his court and consented to dispatch the Pucelle (Joan’s other name) to lift the siege of Orleans, even though he did not seem to have fully fallen into the extremely voluntary messianism of Joan.

    Joan predicted that Charles would become king and that Paris would be taken back. In spite of certain French captains’ skepticism about Joan’s unorthodox “tactics,” the siege of Orleans was successfully lifted on May 8, 1429. Later triumphs followed, including the one at Patay (18 June 1429), and Joan ultimately succeeded in convincing her king to invade Burgundy in order to be crowned in the cathedral of Reims. On July 17, 1429, this action was taken.

    Joan’s situation got increasingly difficult. Charles VII increasingly distanced himself from her under the influence of Georges de la Trémoille when she failed and was wounded in front of Paris, casting doubt on the veracity of her prophecies. Joan and her family were nobly elevated at year’s end in 1429, but she was soon given menial tasks and eventually sent to Compiègne on May 23 of the following year. She was tricked into a trap on the 23rd and sold to the English. After a highly politicized trial presided over by Pierre Cauchon, Joan of Arc was found guilty of heresy, relapse, and idolatry and executed by burning on May 30, 1431. The French monarch made no serious effort to get her back. To prevent a cult from forming, Joan of Arc’s ashes were dumped into the Seine.

    Joan of Arc, between history and legend

    By the late 15th century, Joan of Arc had already entered the annals of history as a figure of mythology. National heroine, she served under the Third Republic for the revanchist cause of the “blue line of the Vosges.” Since 1920, when she was canonized, she has been revered as a holy figure. When considering the significance of this narrative in French history, it is hard to overstate how vital it is. The first miracle would be that she was able to overcome the reluctance of Charles VII and arm herself against the English army while she was only seventeen years old (she was born in 1412). Her parents are well-to-do peasants.

    Only two trials, Joan’s condemnation trial at Rouen in 1431 and her rehabilitation trial, which Charles VII consented to open in 1456 at the request of Joan’s mother Isabelle Romée, exist to provide historical context for the story. With her defenses up, Joan’s word is skewed, and the accounts of her contemporaries are heavily colored by myth. Historians have the responsibility of calculating Joan’s debt to and contribution to her era.

    Despite being disproven nearly a century ago, the theory of “bastardy,” which claims she is the illegitimate daughter of Isabeau of Bavaria and Louis of Orleans, persists with remarkable tenacity among sensationalists. While accusations of witchcraft served the English well, evidence reveals that some people, notably Rouen’s judges, theologians, and jurists, really held such beliefs.

    It is heresy to cut ties with the militant Church in favor of hearing God’s message via the intercession of Saint Margaret and Saint Michael. For a layman at the turn of the fifteenth century, to partake in frequent communion was to defy the conciliar commands and thereby break with the church.

    Domrémy’s proximity to the Empire’s borders heightened the already present sense of nationality. People struggled to protect the fleurs-de-lis from a pretend duke because they only had one king in their hearts. Ideas that speak to the resilience of Mont-Saint-Michel and the power of the coronation that spread among the people there. Joan of Arc then departed to “reveal” her mission to the king, following in the footsteps of earlier female prophets who had done the same for male monarchs. The difference this time was that Joan became a national icon.

    The English recognized her symbolic value

    joan of arc oldest portrait
    Joan of Arc in the protocol of the parliament of Paris (1429). Drawing by Clément de Fauquembergue.

    One of Joan of Arc’s distinguishing features is that she stirred up emotions even while she was alive. Indeed, the English (the Duke of Bedford in the lead) and the Burgundians accused her of being a witch, while Jean Gerson and Christine de Pizan praised her. Thus, she earned the moniker “the whore of the Armagnacs” (because Robert de Baudricourt, commander of her local châtellenie, belonged to the Armagnac faction).

    The symbolic value of Joan of Arc was immediately recognized by the English, who purchased her from Jean de Luxembourg for 10,000 livres and moved her to Rouen, the capital of seized France, to be tried by an ecclesiastical court. In the same vein as touching on the validity of its ruler, Charles VII, by having the populace believe in a religious trial while, in reality, it is mostly a political one, is the myth of Joan of Arc. Despite the trial and the subsequent dispersal of the ashes, the tale persists.

    Since no corpse was ever found after the events of May 30, 1431, proponents of the theory that Joan was still alive and well swear to her being “not dead” at Rouen on the basis of the appearance of three imposter Jains between 1436 and 1460. The king has mastered the art of capitalizing on the legend of the person who approved his coronation and therefore confirmed his right to the throne. After the Armagnacs and Burgundians had made peace at the Treaty of Arras, he had Joan put on trial for rehabilitation and framed her actions in the context of a war against a foreign power (1435).

    The death of Charles VII, however, began Joan of Arc’s steady decline into obscurity, even though she was still praised by François Villon or in the Mystères (a dramatic genre) towards the end of the 15th century. And this is hardly the moment in which to honor a medieval prophetess…

    “Idiot” and “pious deceit” for Joan of Arc

    True, the Ligueurs did a nice job of rehabilitating Joan of Arc for a while in the 16th century, but the Renaissance and the Enlightenment were not sympathetic to anything remotely “Middle Ages,” and so her reputation suffered.

    Both Joachim du Bellay and Girard Haillan saw her as little more than a tool of the court, and the latter even cast doubt on her virginity. Voltaire called her an “unfortunate idiot,” a victim of the monarch and the Church, while Montesquieu found only “pious duplicity” in her, but the most violent were the thinkers of the Enlightenment. It wasn’t until the 19th century that Joan reappeared, this time as a cultural figure rather than with an air of holiness.

    The romanticism of the 19th century, which was more receptive to medieval and “Gothic” motifs than the enlightened Enlightenment, helped revive the tale of Joan of Arc.

    The most iconic example is perhaps Jules Michelet, who in 1856 wrote in his signature manner, “Let us always remember, Frenchmen, that the fatherland among us was born from the heart of a woman, from her compassion and her tears, from the blood she bled for us.” Joan of Arc personifies the common folk: strong and uncomplicated. One of the most potent tools used to build the national republican novel and the myth was Joan of Arc. No one anticipated that the prophetess would one day be revered as a cultural symbol.

    The Holy Joan of Arc

    Joan Of Arc at the Coronation of Charles VII 1854 10

    The Church’s reacquiescence in Joan’s case was indirectly encouraged by Jules Quicherat, a Michelet student. And he was an anticlerical historian that he uncovered these primary documents in the 1840s, publishing them for the first time. The historian Quicherat “charged” King Charles VII with abandoning Joan of Arc and called the Church an “accomplice” in his prologue. It was the work of German historian Guido Görres (The Maid of Orleans, 1834) that spurred two Catholic historians to attempt a recovery of Joan.

    In 1860, Henri Wallon released his biography of Joan of Arc. For him, Joan is a saint and a martyr; he emphasizes her devotion but acknowledges that she was actually abandoned. Wallon reaches out to Monseigneur Dupanloup in an effort to enlist his support in the cause of canonizing Joan of Arc. During a time of dechristianization and crisis of faith, Bishop of Orleans Félix Dupanloup felt it was crucial for the Church to use powerful symbols. Specifically, in 1869, he wrote a panegyric praising Joan of Arc and formally advocated for her canonization.

    In addition to her continuing popularity and republican icon status, the political climate of the second half of the nineteenth century played a significant role in the Catholic recovery of Joan of Arc. The first major shift occurred in 1878, on the occasion of Voltaire’s centennial. Anyone who could call Joan an “idiot” and the Church as a whole would understand why Catholics would dislike this guy. As a protest against the philosopher’s glorification, the Duchess of Chevreuse urged all French ladies to bring flowers to the Place des Pyramides and place them at the feet of the monument of Joan of Arc.

    The anti-clerical Republicans, who didn’t want to give up on their party’s symbol, organized a counter-protest. Nothing happened because the prefecture forbade both. This, however, marked the beginning of a serious reappropriation of Joan by conservative Catholics. A nationalist right that wanted its own Joan of Arc emerged in the wake of the Dreyfus Affair (1898) and the subsequent Boulangist crises of the 1880s. Last but not least, the response of the Pope was significant; he reopened her trial in 1894, and Joan of Arc was beatified in 1909 and canonized in 1920. The Catholics, and especially the nationalist right and extreme right, reclaimed Joan of Arc.

    The nationalist heroin

    joan of arc statue
    Statue of Jeanne d’Arc in Paris, Rue de Rivoli. Image: Daniel Stockman

    This Joan was progressively forgotten by the Republic over the 20th century and into the 21st, while being glorified by nationalists and the far right. Nationalism, anti-Parliamentarianism, royalism, and Catholic fundamentalism, all tinged with anti-Semitism, overwhelm Joan of Arc.

    After the Dreyfus case, the extreme right adopted Joan as their mythological anti-Jewish character. She had to be the one to preserve not just the military’s traditions but also the established order. To commemorate the 500th anniversary of the liberation of Orléans, a postcard was postmarked with the words “Joan of Arc against the Jews” in 1939. The emblem was clearly also adopted by the Vichy dictatorship.

    After the war, both De Gaulle and the Communists hailed Joan, and by the end of the 1940s, she seemed to have returned to the Republican fold. But that influence eventually died down, and it wasn’t until Jean-Marie Le Pen revived Marian cults in 1988 that the Virgin Mary was once again used as a symbol of French nationalism. Despite left-wing protests, Joan of Arc eventually became a footnote in French history, with little to no mention in official textbooks, despite scholars still agreeing on her significance.

    During her lifetime, Joan of Arc was mostly regarded as a myth, and she was quickly the subject of political and religious recuperation, neither of which helped historians. Because of this, it is difficult to determine who Joan of Arc really was; yet, it seems to have been established that her part in the events of the Hundred Years’ War was incidental. It wasn’t until later that she became really significant. Although she may not generate the same level of excitement as she once did, the constant stream of hypotheses about her, some of which are more plausible than others, demonstrates that she continues to pique the public’s curiosity.

    THE TIMELINE OF JOAN OF ARC

    Joan of Arc was born on January 6, 1412

    Domremy, France, was the birthplace of the French heroine Joan of Arc, sometimes known as “the virgin.”

    Beginning on January 1, 1425, at the age of 13, she started to hear voices

    She hears voices for the first time. She claims that God and the archangels Saint Michel, Saint Catherine, and Saint Marguerite are behind these sounds.

    In 1429, on April 29, Joan of Arc arrived in Orleans

    Joan of Arc, a young lady from Lorraine, led an army into Orleans, claiming to have been sent there by God to declare Charles’s royal legitimacy and to expel the English from France. Since October 1428, the city has been under English siege. On May 8, 1429, Charles VII’s last army conquered the city of Orleans, and on July 17, 1429, Charles VII was crowned at Reims under the direction of Joan of Arc. Afterward, he was prepared to retake the country and restructure royal authority.

    The coronation of Charles VII took place on July 17, 1429

    Charles VII was crowned in Reims Cathedral with Joan of Arc present.

    In Compiègne on May 23, 1430, Joan of Arc was taken into custody

    Captured by a mercenary serving the Duke of Burgundy, Jean de Luxembourg, Joan of Arc was then sold to the English for 10,000 livres, despite having played a pivotal role in the liberation of Orleans the previous year. In 1431, she was prosecuted for heresy at the Inquisition Court in Rouen and executed by burning at the stake, even though she was not provided any legal representation. In 1456, she was rehabilitated.

    The trial of Joan of Arc started on January 9, 1431

    Joan of Arc, accused of heresy, was tried by a court at Rouen presided over by Pierre Cauchon, bishop of Beauvais. On February 21, at the royal chapel of Rouen Castle, the first open session began. On May 24, she publicly repented and admitted her faults, but by May 28, she had reversed her decision. On May 30, at Rouen, on the Place du Vieux-Marché, Joan of Arc was burned to death.

    It was on May 30, 1431, when Joan of Arc was publicly executed

    Rouen’s Place du Vieux-Marché (Haute-Normandie) is where Joan of Arc was burned to death for her “relapse” (return to heresy). The high stake prevented the executioner from suffocating Joan of Arc before the flames reached her. Two years earlier, in 1429, Joan of Arc had successfully freed Orleans from the English siege and had Charles VII crowned at Reims. But the Burgundians captured her at Compiègne and sold her to the English. The monarch made no overt attempt to save her.

    Joan of Arc was canonized as a saint on January 1, 1909

    After her death, Joan of Arc was elevated to sainthood.

    On May 16, 1920, Benedict XV officially declared Joan of Arc a saint

    The Catholic Church officially recognized Joan of Arc as a saint.