Tag: statue

  • Urfa Man: The Oldest Statue in the World (c. 9000 BC)

    Urfa Man: The Oldest Statue in the World (c. 9000 BC)

    Urfa Man The Oldest Statue in the World

    In the city of Şanlıurfa, Turkey, a prehistoric anthropomorphic figure known as the Urfa Man (Turkish: Urfa Adamı), or Balıklıgöl Statue, was uncovered during construction work. The age of the Urfa Man is 9000 BC, which places it in the Pre-Pottery Neolithic time period (c. 10,000–6500 BC). There are only a few miles between the Urfa Man and other prehistoric sites, Göbeklitepe (Pre-Pottery Neolithic A/B) and Nevalı Çori (Pre-Pottery Neolithic B).

    The Urfa Man is the oldest known representation of a life-sized human sculpture. This makes it the oldest known statue in the world.

    Discovery of the Urfa Man Statue

    Urfa Man
    Dosseman, cc by sa 4.0, cropped.

    The Urfa Man was discovered in 1993 during road work in the Yeni Mahalle neighborhood north of Balıklıgöl (“Fish Lake”). Nevertheless, the precise location of its discovery has been lost to history. The Urfa Man was discovered while dismembered into four separate parts. It is unknown if the statue’s dismemberment was caused by the road work.

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    Even though the statue was dismembered, it was still whole. It was discovered under the foundations of the ancient Urfa dwellings that were near large water sources close to the north of Balıklıgöl during the Pre-Pottery Neolithic Period (10,000–6500 BC).

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    The findings confirmed in 1997 that the region had been continuously occupied since the time the statue was created.

    The discovery of Pre-Pottery Neolithic “terrazzo floors” and other artifacts, such as distinctive flint tools, attest to this settlement’s existence.

    Age

    The estimates put its age between 11,000 and 9500 BC but the recent data points to c. 9000 BC. The statue may have been carried from the nearby Urfa Yeni-Yol site, which is from Pre-Pottery Neolithic A (c. 10,000–c. 8,800 BC). This site is also close to the other Pre-Pottery Neolithic sites, Gürcütepe and Göbeklitepe (the oldest known temple in human history).

    What is Urfa Man Made of?

    urfa man statue
    Dosseman, cc by sa 4.0, cropped.

    The statue is made of light sandstone and stands around 6 feet 3 inches in height (190 cm). The body is 21 inches in width and 25 inches in depth. It has no mouth and instead has two depressions inlaid with black obsidian for eyes, which is a natural volcanic glass highly valued back at the time.

    The statue is completely naked, save for a V-shaped collar.

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    This object might as well be a metal necklace. The Urfa Man’s hands seem to clasp and conceal the genital region, and it has no visible feet or legs; instead, it tapers to the ground for support. No evidence suggests why this statue was created or utilized in the first place.
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    Its Symbolic Meaning

    The statue stands on no legs. He has no facial hair or beard and no mouth. Many theories have been put forth to explain the missing mouth, such as that the person shown is wearing a mask or is concealing some truths. When seen from the front, the hands are joined at the navel. The museum notes that “the statue unquestionably represents male sexuality predominantly”. Since it is near the Göbeklitepe, a similarly dated religious sanctuary, the Urfa Man might be representing a local god.

    Some Older Statuettes

    Both the Lion-Man (Löwenmensch) figure and the Venus of Hohle Fels from Germany from the same time period (aged 35,000–41,000 years) are the earliest known statuettes in the world. Other oldest Upper Paleolithic statuettes include the Venus of Dolní Věstonice (aged 25,000–29,000 years), the Venus of Willendorf (aged almost 30,000 years), and the Venus of Brassempouy (aged 21,000–26,000 years), which existed before the discovery of the Urfa Man.

    Are There Possibly Older Statues?

    One of the oldest statues that are similar to the Urfa Man in appearance is from ʿAin Ghazal, an archaeological site in the Levant, Jordan. This site yielded anthropomorphic statues created between 7200 BC and 6250 BC.

    The Urfa Man is shown prominently at the Şanlıurfa Archaeological Museum. Created around 11,000 years ago, it is the oldest statue in history. However, looking at the elaborated statuettes, which are incredibly older, there are likely statues that are many millennia older than the Urfa Man waiting to be unearthed (likely in Turkey again, the birthplace of civilization).


    Featured Image: Dosseman, cc by sa 4.0, cropped.

  • Fountain of the Fallen Angel: A Statue for Satan

    Fountain of the Fallen Angel: A Statue for Satan

    In Madrid, Spain, you can find the Fountain of the Fallen Angel in the city’s Retiro Park. The Fallen Angel stands on the site of the Royal Factory of Buen Retiro, which was destroyed in 1813 during the Peninsular War (1807–1814). Both the main figure (by Ricardo Bellver) called the “Fallen Angel”, and the pedestal (by Francisco Jareo) are original works. The statue is also known as the Statue of the Fallen Angel or originally as “The Fuente del Ángel Caído.”

    History of the Fountain of the Fallen Angel

    The Fountain of the Fallen Angel was created in plaster by the Madrid sculptor Ricardo Bellver (1845–1924) during his third year as a pensioner at the Spanish Academy of Fine Arts in Rome in 1877.

    At the National Exhibition of Fine Arts in Madrid the following year, he won the First Class Medal with the Fountain of the Fallen Angel by a margin of five votes to two.

    The third and fourth stanzas of Canto I of the English poet John Milton’s Paradise Lost serve as inspiration for the sculpture, as noted in the exhibition catalog:

    “For his pride he falls from heaven with all his host of rebellious angels, never to return to it. He waves his eyes around, and blasphemously fixes them on the empyrean, reflecting in them the deepest pain, the greatest dismay, the most dismal pride, and the most obstinate hatred.”

    Paradise Lost, Canto I by Milton

    After an evaluation by the Exhibition Jury, the government purchased the piece for 4,500 Spanish pesetas with the intention of sending it to Paris for the Universal Exhibition of 1878.

    Because the Paris exhibition only allowed sculptures made of marble or bronze, preparations were made to cast the Fountain of the Fallen Angel in one of those materials. Bellver suggested Rome as the location, but the Thiébaut Frères foundry completed the project in Paris.

    The Museo del Prado national museum eventually acquired the Fountain of the Fallen Angel (which did not have a fountain yet).

    Benito Soriano Murillo, its director, proposed an outdoor exhibition to the General Directorate of Public Instruction in October 1879.

    (… ) the statue of the Fallen Angel, for the boldness of its composition, for its original attitude, and also for the material in which it has been cast, perhaps does not produce all the desired effect, enclosed as it is in the narrow confines of a room, while placed in a public place, in the open air with more space and horizon, it would advantageously show off the merit of such a beautiful creation, serving at the same time as an ornament and thus initiating the public in the contemplation of the good models of plastic art that so powerfully contributes to its culture.

    Benito Soriano

    The City Council of Madrid graciously accepted the artwork as a gift to be displayed in a public area of the Spanish city. The vacant lot of the old Royal Factory of Buen Retiro in Buen Retiro Park was selected as the location for the monument.

    A pedestal for Bellver’s sculpture was commissioned by the architect in charge of the Ministry of Public Works, Francisco Jareño y Alarcón, in May 1880. The pedestal had the form of a fountain, with a big basin, and was built from granite, metal, and stone. In 1885, the statue celebrated its formal opening.

    A polyester resin on silicone mold reproduction of the Fountain of the Fallen Angel has been on display in the museum of the San Fernando Fine Art Royal Academy (Madrid) since the 1990s.

    The Fountain of the Fallen Angel’s Design

    Environment

    Several structures were originally located in the space that currently serves as the Fallen Angel’s circular plaza. The hermitage of San Antonio Abad, also known as San Antón, dates back to the Habsburg era and is the first of its kind.

    After its destruction, Charles III had a porcelain factory built that was modeled after the one at Capodimonte (Naples). After the factory burned down during the Spanish War of Independence (also known as the Peninsular War), the land where the Fountain of the Fallen Angel now stands was abandoned for a long time.

    The Paseo del Duque Fernan Nunez, Paseo de Cuba, and Paseo del Uruguay are three of the park’s paved roadways that now merge at the Glorieta.

    Fountain

    The overall dimensions of the statue are around 33 x 33 x 23 feet (10 x 10 x 7 m). Bellver’s Fallen Angel alone stands at an impressive 8.7 feet (2.65 m) in height.

    A circular parterre of boxwood surrounds the fountain. The granite water catchment area is octagonal in form and quite vast. The pedestal is highest in the middle. It rests on an octagonal granite foundation that slopes like a pyramid and has bronze panels on all eight of its sides.

    There are three water spouts in each of these devilish faces, which depict demons holding lizards and snakes. Two additional, less steeply inclined, truncated pyramidal bodies rest on this foundation. And finally, the major sculpture, the Fallen Angel, atop the monument sits on a third, much shorter body made up of three circular stairs.


    A big serpent wraps around the Fallen Angel’s torso as he rests on some rocks that serve as a foundation. Bellver’s composition of diagonal lines and expressiveness owes a great deal to the Baroque (particularly Bernini) and the Romantic (especially Michelangelo), as well as the Hellenistic (especially Laocoon and his sons).


    Curiosities

    In Madrid, at an official topographic height of 2,185 feet or “666” meters (one of the most widely recognized symbols for the Antichrist) above sea level, you’ll find the Fountain of the Fallen Angel.

    This striking similarity to the so-called Number of the Demon, together with the widespread but mistaken assumption that the monument is some kind of “homage” to Lucifer, evil, or the heretical, has piqued the interest of a number of those interested in esotericism.

    Averaging 666 meters above sea level is not an unusual occurrence in Spain’s capital, Madrid.

    Many people think that the Fountain of the Fallen Angel is the only memorial that references the devil, yet they couldn’t be more wrong.

    Tandapi (Quito, Ecuador) has a sculpture of Lucifer atop the Monument to the Traforo del Frejus, much like Turin (Italy). “El poder brutal” (the brutal power) is shown in the title of this piece. The Havana (Cuba) National Capitol also has the Statue of the Rebel Angel.

    Fountain of the Fallen Angel at a Glance

  • Laykyun Sekkya: The Third Tallest Statue in the World

    Laykyun Sekkya: The Third Tallest Statue in the World

    At 380 feet (116 meters), the Laykyun Sekkya Buddha is the third tallest statue in the world. Beneath the magnificent monument is a platform towering 79 feet (23 meters) in height. The Laykyun Sekkya is located in Myanmar in a village called Khatakan Taung near the town of Monywa. The statue is also known as Monywa Buddha. The building process started in 1996 and ended 12 years later on February 21, 2008, with a completion ceremony. Myanmar’s Chief Abbot Ven carried out the construction process. During its initial construction, it was the tallest statue in the world. Today, it is widely regarded as one of Myanmar’s top tourism destinations.

    The Design of the Monument

    The Laykyun Sekkya (back), along with the Reclining Buddha Statue (middle) and Aung Sekkya Pagoda (front).
    The Laykyun Sekkya (back), along with the Reclining Buddha Statue (middle), and Aung Sekkya Pagoda (front). (Image: McKay Savage)

    The base has two levels. The lower, hexagonal one is shaped like a step pyramid with rounded edges and a flat top, and the upper, circular one is where the Buddha statue is placed.

    The statue and its base are both primarily golden. Inside the statue’s many levels is an exhibit dedicated to Buddhist artistic expression. However, the main statue is mostly hollow.

    This towering Buddha is clad in gold. The many squares on the statue are actually the windows on each floor. An elevator can be found inside the monument for ease of movement.

    It took so long to construct the monument because it was funded completely by donations from local residents which also shows how devout the people of Myanmar are.

    Laykyun Sekkya’s Height

    Laykyun Sekkya statue, detailed photograph
    (Image: Anne97432, CC BY-SA 3.0)

    The Laykyun Sekkya statue is located in the Buddhist religious complex called Maha Bodhi Tahtaung which was founded in 1960. The height of the statue is 381 feet (116 m), the height of the throne is 75 feet (23 m) and the height of all stairs is 109 feet (33 m).

    This brings the total height of the Laykyun Sekkya monument to 612 feet (185 m).

    Laykyun Sekkya is around 33 floors high, and it is located 7.50 miles (12.07 km) from Monywa town. Monywa is centrally located in the Chindwin Valley, 85 miles (136 km) northwest of Mandalay city.

    When it was completed in 2008, it was the second-tallest statue and monument of Buddha, only to be surpassed by Spring Temple Buddha a few months later.

    Today, the Laykyun Sekkya is the third tallest statue in the world after the Spring Temple Buddha (420 ft; 128 meters) in China and the Statue of Unity (597 ft; 182 m) in India. It is also the second tallest Buddha statue. Among other tallest statues, the Laykyun Sekkya is a relatively lesser-known one.

    The Meaning of the Laykyun Sekkya Statue

    The Laykyun Sekkya monument portrays the setting of Mahaparinirvana (attainment of the state of eternal bliss) with an upright Gautama Buddha positioned next to a reclining Gautama Buddha. The word “Gotama,” from which “Gautama” is derived, means “one who has the most light.”

    Unlike most Buddhas, Laykyun Sekkya does not express a hand gesture that usually conveys a meaning.

    The Monuments Around the Laykyun Sekkya

    In the front of the statue stands the giant Reclining Buddha Statue with a length of 333 ft (101 m). Next to the two statues is a replica of the Shwedagon Pagoda. It is called Aung Sekkya Pagoda and has a height of 226 ft (69 m).

    Below Laykyun Sekkya Buddha, you’ll also find thousands of normal-sized Buddha sculptures.

    Laykyun Sekkya Statue at a Glance

    Where is the Laykyun Sekkya Buddha located?

    The Laykyun Sekkya Buddha is located in Myanmar, in a village called Khatakan Taung near the town of Monywa. It is part of the Buddhist religious complex called Maha Bodhi Tahtaung.

    What is the height of the Laykyun Sekkya Buddha statue?

    The Laykyun Sekkya statue is 381 feet (116 m) tall, with a total height of 612 feet (185 m) when including the throne and stairs. It is the third tallest statue in the world, after the Spring Temple Buddha (420 ft; 128 meters) in China and the Statue of Unity (597 ft; 182 m) in India. Among other tallest statues, the Laykyun Sekkya is a relatively lesser-known one.

    What is the meaning behind the Laykyun Sekkya statue and what other monuments are located around it?

    The Laykyun Sekkya monument portrays the setting of Mahaparinirvana with an upright Gautama Buddha positioned next to a reclining Gautama Buddha. The statue is also known as Monywa Buddha. In front of the statue stands the giant Reclining Buddha Statue, with a length of 333 ft (101 m). Next to the two statues is a replica of the Shwedagon Pagoda called Aung Sekkya Pagoda, which has a height of 226 ft (69 m). Below the Laykyun Sekkya Buddha, there are also thousands of normal-sized Buddha sculptures.

    References

    1. Featured Image: McKay Savage