Tag: egyptian mythology

  • Mehen: He Guarded Ra to Prevent the End of the World

    Mehen: He Guarded Ra to Prevent the End of the World

    Mehen, whose name means “he who is coiled,” is a god in ancient Egyptian mythology. He is the protective snake god who watches over Ra’s sun boat. During the nighttime voyage through the Duat (the Underworld), the sun god was shielded by Mehen’s coils. This was because both the sun and the wicked deity Apophis symbolized the unending fight between good and evil. Had Apophis succeeded in stopping Ra’s boat and flipping it over, the world would have ended and darkness would have returned.

    Mehen wrapped himself around Ra to shield him from Apophis.

    mehen ra and barque
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    From the copy of the Book of Gates in the tomb of Ramses I (KV16).” class=”wp-image-42807″/>
    Ra traveling through the underworld in his solar barque while shielded by the snake Mehen. From the copy of the Book of Gates in the tomb of Ramses I (KV16).

    Apophis managed to devour the sun at least once because the guardian of the solar boat, Mehen, actually failed in his duty. However, as shown in Ramesses IX’s tomb, Mehen caused Ra to emerge out of a hole in Apophis’ belly, enabling the sun god to finish his trip and be reborn again.

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    References to Mehen in History

    The Old Kingdom’s (2700–2200 BC) Pyramid Texts, Coffin Texts, and papyri all include references to the primeval deity Mehen, and it’s possible that his devotion extends back to at least the Predynastic Period.

    In the New Kingdom (1550–1352 BC), a law was established that enabled the dead to take part in Ra’s nighttime voyage, but only if they were buried very deeply in the earth; this gave rise to the concept of hypogea (“underground”).

    The whole Egyptian creation myth began around 3100–2686 BC.

    The snake deity Mehen is prominently featured in scenes from the literary work Amduat. There is also a funerary text called the Book of Gates found in the pharaoh tombs in the Valley of the Kings. There are twelve scenes in Amduat that correspond to the twelve hours of the night, and the Book of Gates text describes the journey of the sun god and the pharaoh across the sky at night.

    Ra traveling through the underworld in his solar barque while protected by the snake Mehen. From Seti I's tomb.
    Ra in his barque while protected by the snake Mehen. From Seti I’s tomb. Jean-Pierre Dalbera, cc by sa 2.0, cropped.

    In the Valley of Kings, this iconography is found inside the tombs of the following pharaohs:

    • Ramesses I: In his tomb, the solar boat of Ra with a ram’s head, called Auf-Ra, is depicted in the “third hour” of the Book of Gates. Both are protected by the god Mehen and the minor deities Sia and Heka.
    • Horemheb: In this tomb, the Book of Gates is partially missing, yet you can see the snake Mehen multiple times.
    • Seti I: His tomb has one of the most richly adorned types of Books. There are many depictions of the Book of Gates in which Mehen and other deities stop Apophis from blocking Ra’s journey.
    • Ramesses VI: It is filled with depictions of Mehen painted with impeccable craftsmanship. The full versions of the Books of Gates, Heavens, and Caverns may be found here.
    • Thutmose III: The Twelve Hours of the Night of the Amduat are represented here with Ra’s boat protected by Mehen.

    Since the sun’s nighttime voyage became the most common magical-religious motif in burial depictions, Mehen was often shown in them.

    Ra’s voyage had to be closely guarded by Mehen due to widespread Egyptian anxiety over the possible end of the world. The Egyptians also believed that they would be reincarnated by following the sun’s path, thereby vanquishing death.

    While the pharaoh, accompanied by Ra and the guardian deities, marched triumphantly towards his own rebirth and that of his predecessors, others in Egypt were still dying.

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    Mehen is Also an Ancient Egyptian Board Game

    a 3000 bc ancient egyptian board game mehen
    The goddess was featured in a 3000 BC ancient Egyptian board game called Mehen. (Anagoria, cc by 3.0)

    Also originating in the Old Kingdom (2700–2200 BC), the board game called Mehen is said to have had a sacred significance beyond that of a simple pleasure due to its intimate association with the snake deity. It is speculated that this board game was a ceremony that took place between the deity Mehen and the dead, with the winner being spared from a poisonous bite.

    How It Was Played

    In a game of Mehen, to establish who would go first, dice were thrown, and the highest-rolling player would get the first turn. By rolling the dice, players advanced from the snake’s tail to its head. If they made it to the head, they became a lion or lioness and had to make their way back to the tail. After the transformation, each point of the dice was counted as a double. The winner of Mehen was the first one to reach the tail.

    The goddess Mafdet also took part in the game. Her mission was to keep the pharaoh safe as the pharaoh tried to rescue Ra. Six lions and six sets of marbles were used in this game.

  • Kek the Egyptian God: Symbolism, Origin, and Depictions

    Kek the Egyptian God: Symbolism, Origin, and Depictions

    In Egyptian mythology, Kek is a distinct god who represents the overarching idea of nighttime. Kek was one of the eight primordial deities, known as “Ogdoad,” worshiped in Hermopolis. His name, in Ogdoad cosmology, means “darkness.” According to German Egyptologist Heinrich Brugsch, Kek corresponds to Erebus, a figure from Greek mythology.

    Historical Origin of Kek

    kek and kauket
    Kek and Kauket. He is shown with a Was scepter. (S F-E Cameron, cc by sa 3.0, enhanced from original)

    Kek has been documented since the Middle Kingdom (2055 BC–1650 BC) as an ancient Egyptian god. Since the New Kingdom (1539–1075 BC), he formed a divine pair with his consort Kauket and, from that time, has been regarded as a primordial deity within the Ogdoad of Hermopolis, a major ancient city located in middle Egypt. In the above depiction, he is shown with a Was scepter, an Egyptian staff of hegemony and authority.

    A Middle Kingdom (2040–1782 BC) explanation of Kek’s mythological connections states this:

    Shu was enveloped with the life breath from the throat of the Bennu on the day Atum emerged in HehNunKek, and Tenemu.

    Kek the Egyptian God
    ©Malevus

    Symbolism of Kek

    Kek was thought to be hermaphroditic since it was an abstract creature like the Hermopolitan Ogdoad couples. Kauket is the feminine variant of Kek, and she refers to his mythical wife.

    Kek stands for mystery, the ethereal, and maybe even anarchy, all of which are associated with the night. Among other things, he was regarded as the bringer of light because he represented all that came before light. It was his doing that the darkness gave way to light and that the skies above “Kemet”, an ancient name of Egypt meaning “the black land,” gave birth to the sun.

    As a symbol of darkness, Kek also represented the unnoticed and the unknown, and therefore chaos.

    Erebus as the Greek Equivalent of Kek

    Along with his partner, Kauket and Kek represented the masculine and feminine powers of darkness that covered the primordial abyss of the waters and have been compared by the Egyptologist Brugsch with the god Erebus from Greek mythology, who also personified darkness and obscurity. In Hesiod’s Theogony poem, he is the offspring of Chaos, and the father of Aether and Hemera (Day) by Nyx (Night).

    What Did Kek Look Like?

    Ogdoad, frog and serpent deities, including Kek
    Ogdoad. (Olaf Tausch, cc by sa 3.0, cropped)

    Like the other three frog-headed male deities worshipped in Ogdoad—Ḥeḥ, Nāu, and Amen—Kek is always shown as a frog or as a person with a frog head. Similarly, all four goddesses are depicted with serpent heads, including his female consort Kauket.

    The Hermopolitan tradition links the preference for frogs symbolizing male aspects and serpents representing female aspects in primordial deities’ iconography to ancient Egyptians observing amphibious creatures emerging from Nile mud deposits, signifying the emergence from non-being.

    Kek in Egyptian Mythology

    In the Circles of Duat (12 hours of night in the underworld), Wallis Budge mentions Kek as one of the four gods hiding beyond the ninth gate. Kek waits at the ninth gate in the seventh hour of the deceased’s journey through the Duat (underworld). At this point, the deceased arrives at Osiris’ concealed residence.

    Theologians in Hermopolis believed that Kek was an emanation of Thoth. As an ibis-headed holy man, Thoth was the true creator of the world. The egg that contained our universe hatched in Great Hermopolis because of Thoth.

    They taught that the first time he awoke within the god Nun (“Watery One”), he opened his lips, and the sound of his voice materialized into the shape of four gods and four goddesses, completing the job of creation with only his voice.

    Khmounou, meaning “city of the eight,” likely refers to the eight primal and abstract gods, which may explain why Hermopolis was originally given this name. Kek may have been associated with light because the eight ancient and impersonal gods, who maintained creation via words, also used hymns to attempt to keep the sun on its merry way.

    Thus, the couple were also referred to as “raiser up of the light” (Kek) and “raiser up of the night” (Kauket) because of their symbolic relationship to night and day.

    Kek’s Meaning in Modern Culture

    1

    In the video game “World of Warcraft,” players from different factions communicate in encrypted languages. For races unable to understand each other, the widely used acronym for laughter, “LOL,” is replaced by “KEK.”


    2

    Since the 2010s, the term “KEK” has become a rallying cry and emblem for extremists on the far right. The term has become a largely ironic icon for far-right and neo-Nazism, particularly among young people, thanks to its usage in hilarious memes on the anonymous image-sharing community 4chan.

    The initials “KEK” have been rendered as a swastika- or iron cross-like symbol and placed in a green variant of Hitler’s Germany’s “war flag” (Reichskriegsflagge), as well as in parodic versions of, say, the racist “rebel flag” of the Confederate States (“Southern Cross”), alluding, perhaps, to Nazism in 1930s Germany.


    3

    Pepe the Frog, another pop culture figure connected with young, far-right counterculture and the American alt-right movement, has been artificially linked to the acronym KEK because of its similarity to the ancient Egyptian frog-headed chaos god Kek.


    4

    On January 6, 2021, Trump supporters invaded the Capitol Building in Washington, D.C., carrying a variety of flags, including the “KEK” flag and banners portraying Pepe the Frog.


    5

    Elon Musk has also made several allusions to Pepe and even to Kek, but it was probably just a memetic coincidence.

    References

  • Amunet Goddess: The Consort of the Deity Amun

    Amunet Goddess: The Consort of the Deity Amun

    • Amunet, the Egyptian goddess, was the consort of the deity Amun.
    • She was originally part of the Hermopolitan Ogdoad, representing the unknown.
    • Amunet’s role as a goddess evolved and she had diverse aspects, including being associated with the sycamore tree and motherhood.

    In ancient Egyptian religion, the Amunet goddess had a significant role.


    She represented the feminine counterpart, or consort, of the male deity Amun. As members of the Hermopolitan Ogdoad, the pair stood for the hiddenness. These first members were paired up as such:

    • Nun and Naunet, representing the chaos of the primordial waters.
    • Kek (male) and Kauket (female), symbolizing darkness.
    • Heh and Hehet, representing boundlessness.
    • Niau and Niaunet, symbolizing air and wind.

    The “Pyramid Texts,” particularly those from Huni’s pyramid (Fifth Dynasty), reference the gods Niau and Niaunet, who were eventually supplanted by Amun and Amunet. During the Middle Kingdom, Mut became a more popular deity than Amunet. Nonetheless, Amunet was still worshiped in various contexts.

    Amunet Goddess: The Sacred and the Divine

    Pyramid Text inscribed on the wall of a subterranean room in Teti's pyramid, at Saqqara
    Pyramid Text inscribed on the wall of a subterranean room in Teti’s pyramid, at Saqqara.

    In addition to Amun, the name Amunet also appears often in the “Pyramid Texts,” and its meaning is “The Hidden One.” Amunet combined the meanings of “air and wind,” symbolizing the unfathomable currents and ferocious winds that blew across the primordial chaos before order was established in the universe.

    Amunet, a goddess who first appeared in the Old Kingdom, is almost frequently referenced in the same breath as Amun.


    She has a female body and a cobra’s head, much as Amun has a male body and a frog’s head. The goddess, however, was also often represented with a cat’s head.

    It was necessary for the New Kingdom’s most influential group, the Theban priesthood, to develop its own cosmology. They borrowed concepts from old teachings and reinterpreted Amun and Amunet as a couple of serpents to distance themselves from their Hermopolitan roots.

    The most powerful clergy of the day determined what a deity was like and how he behaved. In Thebes, Amunet merely represented Amun’s feminine element, but in Karnak, she continued to serve as Amun’s wife. In fact, she was even more revered than Amun’s second wife, Mut, since, unlike Amunet, Mut bore him the son Khonsu.

    High-ranking priests like the “prophets” were in charge of the Amunet worship, which was already widespread during the Eighteenth Dynasty. It lasted until at least the Twenty-sixth Dynasty, when the temple of Karnak made reference to Horakhbit, High Priest of Amun and Prophet of Amunet. Even throughout the Ptolemaic era, devotion to Amunet remained widespread.

    Depiction of Amunet Goddess

    Thutmose III included a statue of Amunet in the Hall of Annals of the Karnak temple. The statue is located on the temple’s VI pylon. One of the red granite columns has a papyrus design, representing Lower Egypt, while the other features a lotus flower design, representing Upper Egypt.

    Two sculptures of Amun and Amunet stand between these columns. Amunet, in human form, wears the Nile Delta’s traditional crimson crown. Tutankhamun, who built a magnificent temple for the holy pair, is responsible for these sculptures. This statue captures the goddess’s likeness well.

    • The goddess is shown in ornate relief decorations beside the pharaoh and other gods during the Sed festival (Jubilee Feast) in the Temple of Karnak’s third pylon, in the kiosk of Senusret I.
    • On the east wall of the atrium in Luxor’s Temple, images depicting the pharaoh presenting Amun and Amunet with milk, fish, birds, and ointments are carved.
    • Tutankhamun honored Amunet, the goddess Mut, and the deity Amun at the southern end of the colonnade in the Temple of Luxor.
    • Amunet is shown as the head of the pantheon of gods celebrating the pharaoh’s jubilee on Thutmose III’s monument.

    Amunet is often portrayed in art as a woman:

    • Inscribed on a papyrus stem with the hieroglyph for life, it represents the unending rebirth of the souls of the virtuous.
    • Having wings, as befits a primeval air goddess.
    • ‘With an ostrich’s or falcon’s feather perched on her head.

    In one illustration from Ippolito Rosellini’s “Monuments of Egypt and Nubia,” Seti I stands in front of Osiris, while Amunet, dressed in the hieroglyph for the west and with a falcon perched on her head, is shown standing behind him as the goddess of the west. She is shown with an ankh in one hand and the deity Osiris in the other, in the traditional embrace of Egyptian couples.

    The West meant the place of the deceased in ancient Egyptian mythology.

    Parallels to Amunet

    Amunet’s identity was frequently muddled as she was combined with other mythical characters as the deity Amun gained prominence among the Egyptian priesthood. The identification method is further complicated by the fact that Egyptian, Greek, and modern names are sometimes interchangeable. Amunet is also known as Amenet, Amentet, Amentit, Amonia, Amonet, Imentet, Imenti, etc.

    Note that Amunet has also been linked to the following for the sake of completeness:

    • Imentet was the personification of the Egyptian goddess Amenti (or Ament, Amentet), whose name literally translates to “hidden land” (i.e., the afterlife). Symbolizing the west, the goddess Imentet was shown holding the ankh of life and the scepter of the goddesses (uadj).
    • The hieroglyph representing the west is a semicircle balanced on two poles, the longer of which rests on Amunet’s head through a band. In this form, she was known as Imentet. Amunet is shown as Hathor in a tomb painting from Seti I’s tomb, although she is distinguished from Hathor by the presence of the hieroglyph for the west just over her head. Menna is seen in her tomb with a bird as a headdress. Beautiful wall reliefs represent Osiris, Maat, Renpet, Isis, Imentet, and Nephthys in the second hypostyle hall of Seti I’s temple at Abydos. Nefertari’s tomb also has an image of Amunet dressed as Imentet/Hathor in the entrance hall.

    Amunet, the goddess, was equated with a number of other deities.

    • Goddess Amentit (or Amentet, Imentit): She was the personification of Amenti, the realm of the virtuous and blameless spirits, and was known as the goddess Amentit (also spelled Amentet and Imentit). The Book of Amduat depicts Amenti, whose name means “he who is in the Duat (underworld).” There are twelve zones or hours in the Duat, and Amenti may be found on the fifth night. The departed gathered there before being transported. However, only the spirits of those who had lived righteously and were well-versed in the ceremonies of the sea were allowed on board.
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    • Goddess Iusaaset: Iusaaset, whose name means “the shadow of Atum,” was worshiped as the Egyptian mother goddess and was also known as “the mother who is the father.”
    • Goddess of the Sycamore Tree: Amunet, the goddess of the sycamore tree, was responsible for welcoming the dead and nurturing them so that they might return to life as part of the Underworld’s population. In this way, the sycamore tree became a symbol for her. She lived on a tree on the outskirts of the desert, with her back to the Underworld, and she welcomed all those who had to make the big voyage. Pharaoh Philip III Arrhidaeus (Philip III of Macedon), half-brother of Alexander the Great, was pictured as a celestial infant as she nursed him during the Ptolemaic era.
    • Goddess Iusaas of Heliopolis: Iusaaset is the name of a goddess worshiped at Heliopolis. She is also known as “the hand of god,” as her name derives from the phrase “she comes with her power,” which refers to the annual Nile floods. This appellation also referred to the goddess as the Divine Wife of Amun, implying that she formed herself like the deity Atum. She, like Amunet, was the feminine manifestation of Atum and helped bring the world into being. The three female deities that appeared beside Atum were named Iusaaset, Nebethetepet, and Temet. She was worshiped as the patron goddess of Heliopolis and was often pictured with a scarab beetle on her head.
    • Goddess Neith: Later on, Amunet became synonymous with Neith, albeit she still maintained her own identity.
    • Goddess Taweret: Southern Taweret is dedicated to the goddess Taweret, a Theban hippopotamus.

    Pharaohs would pray to Amunet goddess at the Sed festivals, and some eras in the pharaonic succession were named after her. Therefore, she represented the Egyptian pharaohs as the guardian goddess of the whole country.

  • Was Scepter: An Egyptian Staff of Hegemony and Authority

    Was Scepter: An Egyptian Staff of Hegemony and Authority

    • The Was scepter was a symbol of power in ancient Egypt.
    • It originally might have been used as a cattle herding stick.
    • Deities like Ptah, Seker, Osiris, and goddesses like Satis and Bastet were depicted carrying the Was scepter.

    In Egyptian mythology, the Was scepter represented power, strength, and dominance; it had the form of a straight rod topped with the head of a mythological beast and ended in a fork. The Ankh, signifying life, and the Djed pillar, representing stability and dominance, may also appear with this scepter.

    History of the Was Scepter

    Wepwawet with a Was scepter.
    Wepwawet with a Was scepter. (Eternal Space, cc by sa 4.0)

    One of the most well-liked Egyptian talismans, the Was scepter stood for hegemony and authority. During the predynastic era of Egypt, the Was scepter may have been used as a stick for herding cattle before becoming a symbol of authority and strength. A person with a staff resembling the Was scepter is pictured in “Tomb 100” in Hierakonpolis.

    The Was scepter was consistently linked to prosperity in funeral settings.

    Was, a Scepter of God

    A 66-inch-long Was scepter replica
    A 66-inch-long Was scepter replica by Sergio Fabris.

    Ptah, Seker, and later Osiris were shown with the Was scepter in temple reliefs, tombs, and steles. In the chapel of Ramesses II in the Medinet Habu temple, Amun-Ra and Khonsu were seen holding it, as were Ra-Horakhty in Tutankhamun’s tomb, Seth on the Year 400 Stele at Tanis, and the ancient deities Khepri or Igai.

    Head of the monumental Was sceptre discovered in 1895 in Ombos.
    Head of the monumental Was sceptre discovered in 1895 in Ombos. (Soutekh67, cc by sa 4.0, improved from original)

    Although it was usually associated with deities, goddesses like Satis and Bastet were not immune to carrying the Was scepter on occasion.

    Symbolism of the Was Scepter

    Thebes

    The Was scepter is a staff depicting an ancient Egyptian emblem. The end is shaped like a stylized animal head, the base is forked, and the shaft may be straight or wavy. It is unclear why the ancient Egyptian city of Waset, also known as the “City of the Was Scepter,” was renamed by the Greeks as Thebes or Thebai.

    Amulet with an ankh and two Was scepters.
    Amulet with an ankh and two Was scepters.

    This scepter is most often connected with the monarch and the gods, representing strength and good fortune.

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    Ptolemaic and Roman temple scenes sometimes show the presentation being made by the monarch to the gods. In addition, it is often used as an emblem in place of the king’s name.

    Earliest Appearances

    Osiris, chief of the Gods of Tuat, with the Was scepter.
    Osiris, chief of the Gods of Tuat, with the Was scepter.

    In Upper Egypt, the Was scepter represents the 4th and 19th nomes, a territorial division. As a cult icon, it stands in for the gods Waset, Wasiti, Igai, and Iat and is also regarded as a divine being in its own right.

    The earliest appearances of the Was sign are on ancient Egyptian monuments, where it is shown as a pillar of the sky or a celestial scepter. Its history and original significance are the subject of much speculation.


    Some have speculated that it was inspired by a stick used for driving donkeys, while others have said that it is a stylized giraffe, snake-necked panther, or even a tool for capturing snakes. Some Ramesside-period tombs show shepherds carrying Was-shaped sticks, suggesting that this scepter might have doubled as a shepherd’s crook.

    The Was scepter is kept alive physically by ritual sacrifices, ceremonial burials, and protective artifacts.

    Was Scepter
    Wepwawet, the Egyptian deity of funerary rites, with a Was scepter. (©Malevus)

    Bull as the Origin of the Was Scepter

    It was speculated in Andrew H. Gordon and Calvin W. Schwabe’s 2004 book “The Quick and the Dead” that the Ankh, Djed, and Was symbols were inspired by various anatomical features of the bull that were widespread in these societies.

    • The Ankh – symbol of life – vertebra of a bull
    • The Djed – symbol of stability – sacrum of the animal
    • Wosret – The Was scepter is the symbol of this goddess and its name might have derived from her.